Multicam, without the chaos
Eight angles, four recorders, one conversation — and a first day gone just working out what you've got. Nice Touch handles the full lifecycle of multicam: import, audio selection, transcription, and rough cut, inside DaVinci Resolve and Adobe Premiere Pro. Available on Pro plans and above.
What multicam in Nice Touch covers
Direct NLE import
Import multicam clips directly from DaVinci Resolve and Adobe Premiere Pro — no file moving, no manual sync steps.
Automatic audio scoring
Automatic audio candidate scoring identifies the best available audio across camera and recorder sources.
User-confirmed audio setup
Editors maintain control over which audio drives transcription, with AI-suggested defaults you can override.
Video coverage mapping
Coverage mapping ensures the edit agent never selects ranges with no picture, preventing gaps in your rough cut.
Timeline built in place
The rough cut is built directly inside your open project. No exports, no round-tripping — the timeline is ready to review the moment the agent finishes.
“We come back from a shoot with eight camera angles and four recorder tracks. Just deciding which audio to cut against used to take most of the first day.”
“The part no one talks about is the first listen — going through every angle, every take, just to understand what you have. It can be days before you've even touched the timeline.”
“Syncing multicam in Resolve is fine when it works. But the moment something's off — wrong timecode, dropped frames, a second unit that went rogue — you're in for hours of manual fixing.”
Frequently asked questions
Multicam is available on Pro plans and above, including Ultra and Enterprise. It is not included on the Hobbyist plan.
Nice Touch scores every available audio candidate across your camera and recorder sources and suggests the strongest option. You stay in control — the AI-suggested default can be confirmed or overridden before transcription runs.
You import multicam clips directly from DaVinci Resolve or Adobe Premiere Pro. Nice Touch works with your synced multicam footage as a single narrative, so there is no separate file-moving or manual sync step inside Nice Touch.
Video coverage mapping tracks which ranges actually have picture on each angle, so the edit agent never selects a moment with no coverage. That prevents gaps and black frames in the generated rough cut.
The rough cut is built directly inside your open project in Resolve or Premiere. There are no exports or round-trips — the timeline is ready to review the moment the agent finishes.
Multicam is available on Pro plans and above.